On one occasion, Richard Donner spoke about his vision of Superman and insisted that the hero of DC he had a disturbing side, despite his acknowledged goodness and incorruptible morality. For the director, responsible for the character’s arrival on the big screen in 1978, the last son of kryptonian he was something else a powerful alien. Among the atypical superhero movies, this one also featured a space visitor with detailed knowledge about humans who could impersonate one. According to the director, it was reassuring that he held to the values of our planet and did not violently challenge them.
It is a premise that has interested the cinematographic world, even before the revolution of the superhero genre. What happens when a human being receives all kinds of uncontrollable abilities? Will he always go for the good, as the most popular comics suggest? Can the absence of physical or other restrictions transform anyone into an evil being?
Speculation of the effect of unlimited abilities is part of a sinister side of heroic figures. Much more so when linked to our culture’s need to give meaning to extraordinary abilities. However, not always a great attribute is an important responsibility, sometimes it ends up becoming the most fearsome weapon.
We leave you five atypical superhero movies that tell stories in which power is more than just an advantage. It is also an exploration of human nature, good and evil. But, in particular, how terrifying a creature can be that knows that nothing can stop it. Perhaps the most intriguing exception in the ever-growing universe of superhero characters.
Brightburn: Son of Darkness
David Yarovesky’s film does not hide its influences. This account of what might have happened if Superman were anything other than a well-meaning alien is terrifying for the subtext it explores. At the hands of the director, and with the production of James Gunn, it becomes part of the genre of atypical superhero horror films. Beyond that, it’s a reflection of the nature of evil and the way that power can awaken a dark, latent part in anyone.
Brandon (Jackson A. Dunn) is a seemingly ordinary boy in rural America, until he discovers his astonishing background. After believing that he was the adopted son of a loving couple, he turns out to be part of some mysterious civilization, from which he inherits colossal abilities. During its first stretch, the script makes direct nods to the DC character. But it soon becomes clear that the narrative will take new paths. Which includes the child’s self-discovery of what it means that nothing in the world that he knows can stop him.
Filled with explicit gore and a chilling ending, this example of the atypical superhero movie genre takes the idea of an evolving villain into new arenas. At the same time, it makes it clear that superior physical and mental abilities are not a guarantee of goodness. An element in which the tape insists on a macabre epilogue about what Brando will become.
HancockWill Smith and the atypical superhero movies
Usually, a superhero is considered an illustrious symbol in the city in which he lives. Except for the Hancock played by Will Smith, who whips The Angels like a major catastrophe. This man, with exceptional strength and all kinds of physical attributes, is much more of a threat than a comforting figure. Not for lack of good intentions. His desire to help is evident, although the methods he uses are more than questionable. Even more serious is the ambiguity of his personality. For the disgruntled superhero, good and evil have all kinds of graduations.
Hancock try to find a purpose to follow. Also to have better public relations. A very mundane resolution in a figure the height of a demigod. However, the script by Vince Gilligan and Vincent Ngo shows a character on the verge of collapsing. With no memory of his past and the conviction of being utterly different in a world that isolates him, he struggles to understand his obligation. What is the duty of a hero in real life?
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Within the atypical superhero movies, the plot of Hancock he is witty enough to turn the film into a tragicomic, until a change of tone turns it into something else. In his second half, the ill-tempered protagonist becomes a tragic figure who uncovers a complicated love story. Converted into an ineffective combination of philosophical reflection and drama, the film loses its ability to discuss spiritual duality. However, he retains some of her bitter view of extraordinary attributes and how they can be understood.
The old guard
Andy (Charlize Theron) and her group of mercenaries have all the accumulated knowledge of a very long life. Enough to believe that any of them could be immortal. But without clear certainty that they are invulnerable, every day becomes a risk.
Within the atypical superhero movies, this is an action one and its plot, directed by Gina Prince-Bythewood, is based on the homonymous comic by Greg Rucka. A feature film that offers a reflection on predestination in the figure of the superhero. What if living forever was the only power against an implacable enemy?
The plot thickens as Andy and his team face off against a contemporary nemesis. An adversary who does not wish to defeat them, but rather to carefully study their ability to regenerate and longevity. It is then when each of these anti-heroes, aged, wounded by time and disenchanted with the concept of good, must make a decision. Will they lose the gift of eternal life without a fight? Will they finally die without finding a goal that transcends them? The movie, which will have a sequel on Netflix, leaves the questions unanswered, but has enough knack to make them pertinent in the long run.
Watchmen: The Watchers
Before Zack Snyder got involved with DC’s failed attempt to create a universe on the big screen, he directed a plot and visual oddity that still amazes among atypical superhero movies. Watchman, by Alan Moore and Dave Gibson, is unanimously considered one of the best graphic novels ever. At the same time, the most complicated to adapt.
So the decision to film a movie version raised suspicions, fan complaints and fears for the integrity of the original material. The project passed between production companies and studios until it reached Warner Bros., which gave the green light to a project in which no effort was spared.
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From having an astronomical budget for atypical superhero movies, to trying to adapt each of the complicated arcs of the original plot. The tape transcended the limits of the industry for the genre and became a work of authorship. And as if that weren’t enough, it brought the storytelling of a group of powerful figures with shady pasts to levels of astonishing quality.
Fourteen years after its premiere, the feature film continues to be considered cult among fans. At the same time, a demonstration that superhero stories can reach limits for complete novelties and adults. An item that Watchman He stands out in each of his scenes.
the protégéone of the best atypical superhero movies
After becoming one of the most recognized directors in Hollywood for his success in The sixth Sense, M. Night Shyamalan decided to tell a plot from the genre of atypical superhero movies. This included an invulnerable man and a possible secret that would make him a grudging hero. It was a boldness that, at the time, was incomprehensible. There were still seven years to go before Iron Man was released and, in fact, a good part of the superhero genre was belittled by Hollywood.
But the director told an intimate story of a common man faced with inexplicable circumstances, who had to solve the secret of his identity at the expense of his family and future. The protégé took comic book fans by surprise. beyond the power of David Dunn (Bruce Willis), was a tragic narrative of moral growth. At the same time, a whole new perspective on formidable capabilities.
Turned into a trilogy, the film became an odd piece of an often underappreciated type of genre. However, two decades after its premiere, it is considered a brilliant work that opened a new space for singular characters that redefine the behavior of the traditional hero on the big screen.