Virginia (Judith Light) is terrified of old age. So distressing that she is the first thing he thinks of when he wakes up from her and what obsesses him at every moment of her daily life. American Horror Stories: Faceliftthis time, leave the realm of monsters— at least, those of an immediate paranormal nature — to explore the grotesque. Also to foreground contemporary vanity and its little horrors.
The camera carefully follows the character as he uncomfortably gazes at his image in the mirror. The signs of old age and the inevitable physical change that comes with it are there, but for Virginia it’s not a natural idea. On the contrary, it’s nothing more than a consequence of some kind of underlying weakness that she can’t quite define. “A wrinkle just shows you don’t have enough money to make it go away,” she rages in the first ten minutes of American Horror Stories: Facelift.
She is also enraged by envy for the beauty of younger women around her. Little by little, the argument of American Horror Stories: Facelift makes it clear that Virginia would do anything to restore her healthy skin. That she would be willing to sacrifice whatever it took to be young again.
American Horror Stories: Facelift
American Horror Stories: Facelift begins with the idea of beauty as a precious commodity. One that can easily be missed and that, in fact, is so fleeting as to be a dangerous temptation. Virginia, for much of her life, considered herself beautiful, so to fight her decline is a form of pain. Also, she must deal with the idea of a more attractive woman who embodies all her pains and frustrations. Cassie (Cornelia Guest) isn’t just gorgeous. She is also the embodiment of a type of triumph that mystifies Virginia. Facing each other, the argument uses their differences to narrate the story that begins to take place at the bottom of a twisted admiration.
American Horror Stories: Faceliftwhen desire becomes revenge
Of course, the premise of American Horror Stories: Facelift it is not new. What is surprising is the way in which she builds her version of fear and repulsiveness, through the imperative need for an aesthetic ideal. Little by little, Virginia discovers that no matter how hard she tries to preserve the image of beauty that she considers necessary, it slowly collapses.
He understands it with a desperation bordering on the brutal or, at worst, with a greed so desperate it’s heartbreaking. What starts out as a nagging need for vindication — “I’m old, but I still look beautiful” — turns into a twisted, uncomfortable urge. For later express all its dark depth in a repulsive bloodbath.
American Horror Stories: Facelift it begins with the idea of beauty as a precious commodity. One that can easily be missed and that, in fact, is so fleeting as to be a dangerous temptation. Virginia, for much of her life, considered herself beautiful, so to fight her decline is a form of pain.
Also, he must deal with the idea of a more attractive woman who embodies all his pains and frustrations. Cassie (Cornelia Guest) isn’t just gorgeous. She is also the embodiment of a type of triumph that mystifies Virginia. Facing each other, the argument uses their differences to narrate the story that begins to take place at the bottom of a twisted admiration.
An ambition without limits
Virginia’s desperation to regain her physical appearance—as she remembers and imagines—makes Cassie an enemy to defeat. She is also in a kind of macabre platonic love based on a disturbing and voracious need to possess. the script of American Horror Stories: Facelift it builds a whole dark perception about Virginia’s need for comfort. She also has an increasingly twisted yearning for a kind of intangible longing that she fails to fully explore. Is it about desire? From fear of her falling into a kind of mental and spiritual darkness that she doesn’t quite understand?
American Horror Stories: Facelift she doesn’t make it clear right away, and it’s one of her greatest triumphs, to remember that Virginia’s fear of aging isn’t unique. Which is not spontaneous either. Slowly, the macabre of an episode full of symbols is interwoven with our society . With cultural pressures and Virginia’s terror of being “just an old lady, a forgettable face.” There is a cruelty implicit in the particular condition of decay through increasingly brutal underlying messages. Also on Virginia’s need to find relief from despair, even through violence. The narration manages to encompass a bloody idea about the possibility of alleviating the fear of the future in a subtext of suffocating psychological terror.
Much more, when Dr. Enid Perle (Rebecca Dayan) promises the impossible to refuse. “I can make ugly attractive,” she insists. But, of course, the premise plays with the idea of an inner destruction of the character. Little by little, Virginia understands that Perle’s procedure is more than just aesthetic, it is a journey through a method that links the need for violence. “What are you willing to do for beauty?” Pearl whispers, sinister and powerful.
The terror in American Horror Stories: Facelift
Of course, and as part of the universe of american horror story, there is a supernatural twist in the whole story. But, on this occasion, the inexplicable is woven around a very human desire. Virginia’s paranoia, that she will try to discover Cassie’s method to continue being beautiful, lush and radiant when she is not, becomes a certainty. Something of an inexplicable nature is occurring. An enigma that could mean a sacrifice in blood, violence and murder.
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Of course, one of the great attributes of American Horror Stories: Facelift is that it is the first episode with a surprising ending. Both painful in its tragic beauty and terrifying in its unhealthy darkness. The mixture of both things creates a condition about time, fear and greed that takes the plot to a new dimension of depth. Perhaps the most elegant and well-constructed point ever.