The Serie The House of the Dragon is about to premiere in hbo max to show a whole new facet of the universe imagined by George R.R. Martin. In particular, everything related to the strange and violent history of the Targaryen house. The famous rulers, with the domain of dragon fire, will now be at the center of history. The spin off of Game of Thrones arouses considerable expectation for more than one reason. This is an important step due to the questionable results of the series from which it comes.
Such a disappointing ending Game of Thrones it is a challenge that The House of the Dragon must overcome. Touted as rushed, incomplete, incoherent and flawed, season eight of the HBO Max series baffled audiences. Therefore, the great concern of most of the followers of Martin’s work focuses on several points. can The House of the Dragon overcome the success of one of the most impactful programs of the last decade? Secondly, Will it have enough quality to sustain the world created by HBO Max and that became a memorable project?
Despite criticism about the closure of Game of Thrones, the adaptation of Martin’s novels became a unique phenomenon. As much as to mark a before and after in the most recent epic fantasy productions. The series, produced by David Benioff and DB Weiss, reformulated the idea of the extraordinary in television fiction. It also brought the genre to an adult audience and incorporated a mature discourse that amazed and captivated the audience.
Game of Thronesan undeniable phenomenon
The poor results at the end of the series still have a long shadow. The imitations, reinventions and the connotation on the plot weight of Game of Thrones they are obvious. So it is inevitable to question about the coming spin off, The House of the Dragon. Can the work of Ryan Condal and director Miguel Sapochnik successfully adapt the complex universe of GRR Martin? It might seem like an obvious question if it weren’t for the fact that the production lost tone and rhythm until it became almost unrecognizable.
But actually, the house of the dragon has an advantage over the series that preceded it. Contrary to Game of Thrones, the new HBO Max series comes from a complete story in its literary version. In fact, the narration that will be adapted on television comes largely from the book fire and blood, published on November 20, 2018. It is a strength that allows the new production to be based on a solid argument with a powerful development. And, at the same time, that it has the possibility of concluding under the parameters of what the writer imagined.
A long history of misunderstandings
On April 12, 2015, HBO premiered the fifth season of Game of Thrones. The new chapters were supposed to adapt books four and five of the GRR Martin saga, A Feast for Crows and a Dance with Dragons. But the producers insisted that they would do a reinterpretation of their own, which the writer publicly supported.
Thereafter, the television version was separated from the book. As much as to detach itself from any resemblance to the original story once the screen version surpassed the literary one. It was a curious phenomenon that had all kinds of consequences.
In its early seasons, the series was praised for its powerful dialogue, flawless story arcs, and appropriate use of pacing. But the following seasons, which depended solely on the skill of the saga of writers for their narration, began to show inconsistencies.
The world of Westeros collapses
for the last season of Game of Thrones, the inability of the series to stand on its own mythology baffled and disheartened the audience. The series became a kind of rushed tour of a larger territory that it could not cover. A good part of the followers blamed the failed final stretch of the story on the inability of the writers to imitate the original work.
Could a similar phenomenon be repeated with The House of the Dragon? In fact, the HBO Max series has the endorsement of a Martin who seems to have learned a hard lesson. One, moreover, that has made him get directly involved with production at a higher level of involvement. A major challenge that is supported by a literary work of considerable caliber.
The power of the dragon and the blood in The House of the Dragon
The history of the book fire and blood was considered, from its publication, a robust addition to the universe set in Westeros. GRR Martin, with a consistent perception of the dimensions of his narratives, creates an entirely new angle on his universe in the novel. In particular, about power relations, hate, hope and the notion of destiny. The House of the Dragon walks away from the saga Game of Thrones in its ability to describe in detail a power struggle that encompasses an entire line of events. With the intrigues of the Targaryens in the background, the book is much more compact than the saga from which it comes.
The novel brings back the brilliance of the early Westeros stories. Furthermore, it adds a powerful element to the notion of the continent’s existence—and its characters—as more than just historical accidents. The story, which takes place 300 years before the events told in Song of ice and fireis much more scrupulous. As the main axis, it tells the convoluted family and political history of the Targaryen kings. But in addition, it reflects on the consequences that the vicissitudes of the old dynasty have on the future of the world where it occurs.
Divided into two books, the narrative of the life of the Targaryens shows GRR Martin’s maturity as a storyteller. However, also that, on this occasion, his narrative has a certain obvious directional sense. The caveat could benefit the series by allowing it to move forward in more or less linear terrain that describes a more complete vision. From the history of Aegon the Conqueror to Ageon III, King of the Seven Kingdoms between 131 and 157 AC according to GRR Martin’s chronology. It is an ambitious story that the writer analyzes carefully.
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The purest and most violent magic of Westeros
The House of the Dragon integrates the dragons as the vital center of the narrative. From his flight over castles and conquered lands, to the battle on the back of the enormous pets of two brothers in the family. The presence of the mythology of Westeros is more imposing than ever. There is a real interest of the writer to renew and revive the deepest idea about the enigmatic magic and also his special influence in everything related to power.
The book benefits from its nature as a supposed historical chronicle. The narration of the Targaryen Kings is methodical, exact and punctilious. In addition, the perception of the drama and the real tension that surrounds the events is achieved by small, but powerful, blows of effect.
All elements that could skillfully support a similar plot on screen. As an added bonus, the Targaryen dynasty is an intelligent and ingenious way of understanding the sociology and even the anthropology of the Seven Kingdoms from their origins. In careful detail, Martin reflects on the historical and cultural tensions of the Universe and takes its depth to a new level.
So that the house of the dragon it is likely to become the best work in the GRR Martin universe. Also, in a series with ample possibilities to surpass its predecessor. Quite a feat that, perhaps, will become the great television event of the year.